Prepare to embark on a musical journey that will challenge your perceptions! Black metal and the violin: an unexpected duo that will leave you intrigued.
Weft, the solo project of Charlie Anderson, a talented violinist and live performer for Panopticon, has crafted an album that defies expectations. "The Splintered Oar" is a debut that demands attention, especially during the festive season when our musical tastes tend to wander.
Anderson's unique approach to integrating the violin is a delight for fans of folk and black metal. The opening track, "Leaves," is a sublime showcase of his skills, reminiscent of Panopticon's acoustic brilliance. But here's where it gets controversial: Weft takes the violin on a wild ride, dancing with electric guitars in a style akin to Windfaerer and Saor. It's a bold move, and one that keeps the listener engaged.
"The Splintered Oar" is a journey through progressive death metal territory, with fierce guitar riffs and chord progressions that will leave you breathless. But it's not all about the violin; Anderson explores other influences, including Americana, which adds a surprising twist to tracks like "The Hull" and "Dream of Oaks."
The album's core is an exhilarating experience. "False Kingdoms" sets the tone with an intense buildup, and the energy continues to flow throughout. The demonic violin and shrieks in "Red Dawn" are a force to be reckoned with, cutting through any musical defenses. Anderson's growls add to the atmosphere, although they could use a bit more power at times.
However, the album's beginning and ending leave something to be desired. "Leaves" could have been a stronger intro without the repetition, and the epic closer, "Dream of Oaks," struggles to maintain its coherence. It's a mix of Americana, prog, and death/doom, which, while enjoyable, feels disjointed. This track might have been a masterpiece if it captured the same cohesion as the rest of the album.
Weft is a rare gem, showcasing the potential of a violinist in the black metal realm. Anderson's compositional versatility is a highlight, and while "The Splintered Oar" has its flaws, the promise it holds is undeniable. If he can seamlessly integrate these unconventional genres in future releases, Weft will undoubtedly become a force to be reckoned with.
Rating: 3.0/5.0
And this is the part most people miss... What do you think? Is black metal and violin a match made in heaven, or a controversial pairing? Share your thoughts in the comments and let's discuss!
